November 20, 2010

Stimulate the Senses – Boost Creativity

Today's guest author is Sandy Nicks, author of the new book, Falling for Autumn. Sandy's going to share advice on how to kick start your creativity. This advice works whether you are an author, an artist, a homeschooling mom, single adult dealing with budgets, an administrative assistant facing tough issues at work, or a CEO trying to find the pivot point for your business. Creativity is for everyone. Welcome, Sandy! You have the floor.
Thank you for having me, Kayelle! Today I’ll be talking about stimulating your senses to boost creativity.
As writers, we have to draw our readers into our stories by “showing” rather than “telling.” We want our readers to see, feel, hear and taste everything our characters do. However, there are days when I have difficulty writing a scene and need a creative boost. When this happens, I find that stimulating my senses allows me to delve into a scene and become better attuned to my characters and their setting.
I do the following to jumpstart my creative energy and connect what my own senses are experiencing to those that I need to get on the page.
Sight: In addition to my vision board to keep me inspired, I also use pictures to give me a visual of my characters and setting. When I was writing my time travel romance, Circle of Eternity, I kept a photo of a castle I’d found in a book next to a picture of a medieval couple I’d found in a magazine. My upcoming book, Crazy Days of Summer, takes place in Hollywood and the Jersey Shore. I have photos of the beach and a beautiful home pinned to a whiteboard to visualize those settings. I also love to take virtual home tours. If I need to describe a kitchen or living room, these tours are really helpful. They’re also good for decorating ideas!
Sound: I listen to music all the time and enjoy of variety of genres. When I’m writing a particular scene, I choose songs that either bring out a certain emotion or bring me to another time period. Circle of Eternity takes place in both the present and the twelfth century. When I was writing the twelfth century scenes, I listened to Enya and the Braveheart soundtrack. If I’m writing a love scene, I often listen to Mariah Carey. If the scene calls for action, I put on a rock or heavy metal song. Of course there are times that I don’t use music to enhance a scene - I just like it playing in the background for my own sanity.  
Smell: I keep scented candles on my desk along with scented sachets. I love the beach and have a candle that smells like suntan lotion. I also have numerous ones that smell of the ocean or vanilla and tangerine. These scents bring to mind pictures of gardens my characters may be strolling through or a beach they may be walking on. The aromatherapy also helps me relax!
Taste: Using taste to boost my creative energy is solely for me as a writer. I need coffee to keep me going and water to keep me hydrated when I’m at my desk for many hours. Chocolate is a regular part of my writing routine as are bowls of candy like Nerds. You have to treat yourself to something sweet now and then!
Touch: My fingers on the keyboard. When I glance at pictures, listen to music and smell the fragrant air, my fingers flow freely across the keys, typing the words of my story. I’ve also contemplated putting a container of sand under my desk so I can wiggle my toes around and pretend I’m at the beach!
Whether you wish to evoke just one or all of your senses, creating an atmosphere that connects you with your story is beneficial. When I’m writing and use these techniques, it transports me to a wonderfully romantic world – a place where my hero and heroine resolve their conflicts, meet their goals and fall in love.
Below is an excerpt from Falling for Autumn, Book One in my romantic comedy series, Sisters for All Seasons. Book Two, Crazy Days of Summer, will be available soon.
While recently divorced Autumn Winters tries to rebuild her life and dodge cosmic advice from her free-spirited mother, she meets handsome ghostwriter, Jack Ayres, who unbeknownst to her, is hiding from a hitman.
Insecurities rise and self-image plummets until Autumn and Jack rediscover themselves, accept the new direction their lives are taking, and follow the path that brought them together.


Autumn couldn’t stop smiling. She was certain her face was glowing. She hadn’t felt this satisfied or relaxed in years. Sex with Jack was everything she could have imagined and more. He supplied the perfect mix. He knew when to be tender and when to be a tiger.
“I’m happy you’re smiling.”
She turned to face him and touched his cheek. “Jack, I say this with the utmost honesty. You were the best.”
He snuggled close to her and slid his arm over her bare stomach. “If I say the same, will you believe me?”
“Probably not, but I wouldn’t mind hearing it.”
“You think I’m a player, don’t you?”
Yes, but I’m not going to come right out and say it.
“I think you’re a man who has made women all over the world thankful you bedded them.”
“Except for the one in Antarctica,” he teased. “She was cold.”
She slapped the top of his head. “Very funny.”
“In all seriousness, not one of them comes close to you, Autumn. You’re different. You’re a real woman.”
She crinkled her forehead. “Why because I’m the oldest one you’ve slept with?”
He abruptly sat up. “Not at all. I can’t pinpoint why I feel this way. I just know I’ve never felt like this before.”
“You’re good. Really good.”
“I’m telling you the truth. From the moment I saw you in the rain walking that dog at the shelter, I was drawn to you.”
“I had sweatpants on and no makeup. I looked like shit.”
“You’re wrong. You looked beautiful.”
“I guess now would be a good time to ask your age, young man.”
“I’m thirty-six. Why?”
“How old do you think I am?”
He grinned. “I don’t guess women’s ages. It’s dangerous territory.”
“I want you to tell me. I’m curious to know how others see me.”
He touched her cheek. “Thirty-five?”
“Yeah, right.”
“Okay, I’ll be honest. I know you have a son in college, so I would guess you’re thirty-eight.”
“Try thirty-nine and counting.”
“Counting backwards?” he teased.
“Sometimes.” She paused and took his hand in hers. “After being with you, I feel twenty.”
“You know when a woman reaches her late thirties, she’s in her prime. And after making love to you, I feel seventeen. So we’re even.”
He bent forward and pecked her forehead. He then closed his mouth over hers and kissed her deeply. She closed her eyes and lost herself in his embrace. So what if he was younger? Women these days dated younger men. She opened her eyes and looked at him. Then why did she feel old? Why was she suddenly feeling scared?
“What’s wrong?”
“Nothing,” she lied.
“I can see it in your eyes. You look down.”
“It’s nothing. I’m just tired.”
“Do you want me to go?”
She bit down on her lip. How nice would it feel to have him share her bed all night? How nice would it be to wake up with him next to her?
How foolish was she to believe that this was something more than just sex.

Sandy Nicks lives near the Jersey Shore with her husband, 4 kids and 9 spoiled pets. She writes romantic comedy and time travel romance for Vanilla Heart Publishing. When she’s not writing, she loves going to the beach, reading, hanging out with the kids and taking her dogs to the reservoir.
To learn more about Sandy and her books, please visit: , follow her on Twitter [ ] or contact her at:
Sandy’s books are available in print and various e-book formats including Kindle, Nook, iPad, Sony and more. You can purchase her books on Amazon, BN, and many other online retailers.

November 11, 2010

Interview with Author Susan Roebuck
Today I'm interviewing Sue Roebuck, author of Perfect Score.

Tell us about your latest book. It’s been classified M/M (non erotic), romance, suspense. But it’s so much more than that, it’s almost non-genre. Perfect Score is character-driven and combines Alex’s first person perspective and Sam’s third person, which I know goes against all the rules of writing, but what can I say? Readers have told me that it works. This is because Sam is so mixed up, he doesn’t know what he’s thinking himself half the time so I couldn’t get inside his head and he had to be written third person. I wanted to make both main characters intriguing, quirky and endearing, yet poles apart.
It’s not a traditional romance where two people fall in love which is then hindered by unexpected events that eventually get solved, and voila, happily ever after showers rainbows on their heads. Not so, Perfect Score. This story is about family relationships, corruption, growing up, integrity, responsibility, and being a man of worth in a society of the worthless. In other words, it’s a story about life with a bit of romance thrown in to make life easier to swallow.
Rainbow Reviews gave it 4.5 stars and said "The publisher lists this as a romance, and whilst the ending is probably the most romantic thing I have ever read (in any book); it's not really a romance for most of the story."
What did you enjoy most about writing this book? I loved it because for about 18 months I lived these two guys’ lives with them. The book took on so many versions that I kept changing it until I was finally satisfied with what I had for the two of them. When I’d finished, I really missed them.

Do you live in the mountains, desert, forest, lakeshore, city, or _____?
By the sea – right on it in fact. I overlook the Atlantic Ocean and watch container ships, battleships and cruise-ships coming in and out. I even saw a school of dolphins the other day. All this activity puts me right off my writing, I can tell you! But it might be the reason the next book is about the sea. Oh and a female bullfighter (but that’s all I’m saying).

What genres and authors would we find you reading when taking a break from your own writing?
Oh golly. You know, I read everything and it really does depend on my mood. I’m about to read Keta Diablo’s  Where the Rain is Made. I’ve just finished Patrick Gabridge’s Tornado Siren, I love Tim Winton’s characters and also T.C. Boyle’s. While I was writing Perfect Score, I read On the Road by Kerouac but recently I adored the escapism in Rosy Thornton’s Tapestry of Love. I read like I write – I don’t do genres!

When writing your description of your hero/ine what feature do you start with? Eyes, age, hair color, personality, name, etc?  
I try to get their personality in as soon as possible so the reader gets into the character, then go onto the visual side. But all this needs to be early in the book, because I want the reader to see the character as I do. I’m very character-driven.

If I was a first time reader of your books, which one would you recommend I start with and why?
Ahem. There’s only this one (she says in a small voice). I did publish a translation of the history of the Palace of São Lourenço in Madeira, which my father-in-law wrote in Portuguese.

What do you hope readers take with them after reading one of your stories?
I hate injustice. It’s about the only thing that makes me hopping mad. So I hope that readers will become more aware of the injustices, such as corruption, in this world and especially view gays in a different, less bigoted, light.

A biography has been written about you. What do you think the title would be (in six words or less)?
She’s a Really Mixed-up Kid

What song would best describe your life?
“Fruit Tree” by Nick Drake (miserable kind of so-and-so, aren’t I? But I’m a romantic at heart)

If you were a tool, what would people use you to do?
Can I be a dictionary, or is that not a tool? An umbrella? No? OK then, a screwdriver (I’m always trying to get my point across).

You can erase one experience from your past. What will it be?
There isn’t one – I’m just so happy with the route my life has taken. La-de-da. Happy dance.

If you came with a warning label, what would it say?
Warning! Any sign of injustice, or unfairness, and this person might ignite, explode and make a very nasty stain – on you. (Now you know why I’m a screwdriver)

Picture yourself as a store. Considering your personality and lifestyle, what type of products would be sold there?
I’d be a department store that sold anything from old-fashioned candies and cookies to sexy underwear. I believe in fair trade so you’d have to expect to pay fair prices. But the quality would be good.

What is the one question you wish an interviewer would ask you?
Where do you get your inspiration from? And then I could so truthfully answer: I absolutely have no clue. It’s a mystery of life.

Chapter One: Sam
Spring 1968

The wind blew straight off the frozen prairie and rattled the ill-fitting window panes in his hut. Sam opened one eye. Five am. Don't ask him how he knew. It wasn't the owl hoot, or the coyote yip, or the creek ice splitting, or even the cattle coughing that gave it away because these noises were constant throughout the night. He just knew it was time to get up.
He rolled out from under the warmth of an old moth-eaten wolf pelt and, without bothering to light his paraffin lamp, pulled on jeans and a stiff-with-wear plaid work-shirt. He laced up scruffy, ancient leather boots before finishing it all off with a green wool jacket.
I'll block those holes with creek mud, he thought as the wind whistled through the gaps in the raw-wood plank walls. He put his shoulder to the door. Oil for that too--maybe Josh Pike had some in the barn.
He'd hardly put his left foot outside when snow seeped through a hole in the boot sole. Standing on one leg, he broke the ice in his ceramic sink, splashed the small amount of water pooled there on his face and drank a handful.
Six hours of shoveling hay and muck, he thought as his boots rang on the iced-up alkali path leading to the main yard. A Canadian goose hooted a teasing honk. Laugh all you want, birdie, Sam stuffed his hands in his pockets and hunched his shoulders. At least I'm not up to my butt in freezing water. Just my left foot. His hair blown horizontal, he bent into the biting wind and squinted through stinging hail as three yellow cow dogs rushed up the path, their tails whirling, breath white and freezing on their whiskers.
"Can't find a darn cow dog when I want one," he'd heard Josh Pike complain the previous day.
"That's because they're always with the boy," Mrs. Pike responded. "Sam."
"But I feed 'em."
"Animals love Sam because he has such a kind face, and everyone knows amber eyes make the animals feel lucky."
"Never heard such a load of horse poop in all my life," Josh Pike muttered, his eyes skimming his land.
The Pike place had pretensions to be a ranch, but Sam didn't think it quite made it. Divided into three sections: a creek, steep terrain and some disordered pastures lying in a flood plain, the property bordered the much larger Raw Pines ranch next door. Josh Pike told Sam he'd worked the land for twenty years but, as far as Sam could see, with little to show for it except the old man's love for the place which was as rigid as the winter weather: driving stinging snowstorms that stank of rusty nails. And a wind that could blow a calf over.
Three hours later, the range in the distance just visible across the frozen prairie, Sam removed his jacket, hung it on a gate post and pondered his next task.
He took a closer look at the steer lying on its side, kicking its legs and bellowing as if Sam was about to knife it. Can't have been easy forcing your darned head through the rails in the fence, he thought. He rolled his sleeves up, picked up an axe and got to work on the fence rail with several powerful swings, taking care not to jolt the animal's head.
"Cain't you smell that good air?" Josh Pike had clambered onto a section of the fence, unaware or uncaring that he was tossed up a few inches every time the axe hit the rail. He raised his weathered face to the watery sun with all the pleasure and leisure of a sunbather on a distant beach. "Have to punch the bastard to get him in the chute." He nodded at the struggling steer, his words jarring with each blow of the axe. "Yet he done put his head through the fence happy as a flea. Takes some beatin' huh?"
Sam had no breath for words, but Pike continued undeterred. "Betcha we could show them folks you worked with in Silver Creek a thing or two, eh boy? On how to run a cattle ranch. Betcha learned more up here in this month than you did in the three years you were down there. Eh?" He leaned closer to Sam, his face alight as he waited for Sam's affirmative. "Eh?"
"Near...nearly," Sam gasped, referring to the fence.
With one final massive blow, the axe-head wobbled as it finally split the fence rail. Sam kicked at the steer's rump to encourage it up and watched it skitter back to the herd, still bellowing its woes.
"You reckon you could slaughter beef?"
"If...if I have to."
The old man nodded as if satisfied with the answer. "Make some people weep. So pretty."
Sam rubbed his hand over his face. Like so many conversations in his life, this one made no sense at all. Why was the old man leaping from subject to subject like a demented grasshopper? And what was pretty? The back end of the rapidly retreating steer or a slaughtered cow?
"The view," Josh Pike explained although Sam hadn't voiced his question. The old man nodded at the distant range where the peaks were shining pink like his bald pate. "And you know little guys like us can."
Sam raised his eyes to the gun-metal grey sky above them. Can what? Sam was the first to admit that even on a good day his own mind was at best in total disarray, but it wasn't in the chaos Josh Pike's evidently was.
"Cry. Cry at the view." Josh spoke as if explaining to a first grader. "Little guys get away with it. Betcha bawled when you left your family in Silver Creek. Eh?"
Bawled? Cry? Sam stared at the farm owner in disbelief. Sure he'd been sorry to leave-Silver Creek held all he loved. But cry? Sam couldn't remember the last time he'd cried. When did he last cry? He wracked his brains.
On his first night as a street kid, that's when he'd last cried. He'd found a warm-air grid to lie down on, certain with twelve-year-old optimism that the night would get going fast. He was out of luck. Less than ten minutes passed before nicotine-yellowed fingers that looked as if they'd been peeled by the switch-blade they held had hauled him by his neck off the ground. Too many hands to count pinned him against a damp brick wall and a knee or three kept him upright. First they stole his penknife, then his packet of gum. They took his soft-toy rabbit, his three dollars and finally divested him of his sneakers and pants. When there was nothing left, they continued to hold him while they punched, pinched, probed and bit until they were finally done. Then they dropped his limp body on freezing concrete where he curled into a wet ball.
"Giddyhup there laddie."
Sam stiffened and used his final store of resistance to kick out as more hands fell on him. Except these hands were gentle and warm.
"That's right," the gravelly voice continued as Sam wilted against the solid body. "No more fight left in there, is there? But, oh my Lord, you're swift for a little 'un. Gave them old boys a run for their money, sure you did. Couple of 'em will be limping for a day or two and good luck to 'em. Come on now." The hands lifted him under his arms and helped him to his feet. "We can't have that little white ass shining like a beckoning beacon, now can we? Need to get you decent, oh yes we do."
His name was Itinerant Dan. "But you can call me Itinerant for short." He swigged a long draft from a bottle of clear liquid, the fumes of which made Sam's head swim. Itinerant looked like so many on the street-dirty, smelly, hairy, ageless, in need of a dentist and with more than a whiff of insanity about him-but his eyes were bright with life that hadn't quite been snuffed out. "Here." He handed Sam a moth-eaten blanket which smelt of a thousand unwashed bodies. "Someone always dies at night-we'll get their shirt and pants."
He turned his back as Sam wrapped his head in the blanket and cried for the very last time in his life, longing for his mother who wasn't there and never would be. When he was all out of weeping, Sam scrubbed at his face and then emerged from the blanket. "No one," he told the hunched figure, "will ever pants...steal my pants again. Not unless they want...dead and gone."
"I believe you kidlet," Itinerant replied as he picked the burrs out of his sock. "Oh yes I do."
"I'd cry," Josh Pike's creaky old voice brought Sam back to the windy ranch. He generally avoided memories but this one had rolled in unbidden.
"I'd cry," Josh Pike said again. "If I had to leave this place."
"You won't," Sam assured him, picking up the axe and hitching his jeans over his hips. "We'll squee...squeeze a few more... you know....out of the place."
"Dollars?" Pike's hope glittered in his eyes.
It was nearly noon when they washed up in freezing water at the pump in the yard, even though Josh Pike had done nothing to dirty himself. He dried himself on the towel before handing it to Sam.
When he'd finished, Sam followed the old man into the farmhouse to bid farewell to Mrs. Pike, as he had done every day since he arrived there a month ago.
She was dishing up dinner which she flourished under his nose, "Pork and beans! Alex's favorite." The menu changed from day to day, but it was always Alex's favorite, whether it was smoked ham or sausage and gravy.
Curiosity finally getting the better of him, Sam asked who Alex was.
"Hmm?" Mrs. Pike's attention was on her perpetual I Love Lucy. "Who, honey? Alex? My son Alex?" She gave no further information, such as where he was or why he didn't help his parents out on the ranch. Instead, she asked Sam as she had done every day, "Are you off, honey? There now." She wiped her hands on her apron and addressed her husband who shook his week-old Daily Bugle, "It just goes to show that lightning can fork straight through a rainbow."
Josh Pike sank lower into his old overstuffed armchair until his knees were higher than his shoulders. "Can't think why," he said to Sam, "you want to work in that bar, boy, when you could stay here and eat your dinner with us."
As Sam got into his pickup and waited while the wipers failed to clear the windshield of dirty snow, he thought Josh Pike conveniently forgot that the Pike Ranch brought Sam no much-needed cash. The odd jobs-or rather, the heavy work that kept the ranch's head above water-were in exchange for his accommodation in the hut and an occasional supper. No, it was that bar that brought in the cash.
He'd walked through the swing doors of the Thud Bar a month ago and into a fight.
Two buckaroos wrestled like lumbering bears locked into a growling waltz that knocked over tables and sent glasses and bottles flying. Customers lined the perimeter howling incitement with raised beer bottles while the bar tender flicked a white towel as if shooing a skunk out. When one of the fighters leaned back intending to take a swipe at his opponent's jaw, he stepped backwards into Sam.
He grabbed the guy's outstretched arm and, in a flash, stepped between the two men and pushed them apart. Combined, the two men were probably about four times Sam's height and weight, yet both seemed frozen in surprise. "You done?" Sam asked as polite as if he was asking them to have a drink. One promptly nodded but the other hesitated and, in Sam's book, hesitation meant attack so he propelled the man backwards into the wall. "You done?" he asked again in the same tone as before. The cowboy, goggle-eyed, stared at Sam for just a second before he looked away.
"Done," the cowboy muttered.
Sam released him and turned to the guy with the white towel who took a nervous step backward.
"I'm looking," Sam said. He paused for several seconds while the bar held its breath. "For. Work."
Sam's hours at the Thud Bar were from midday to midnight six days a week. Besides sending shots down the bar, his other tasks included hauling kegs and bottles, swabbing down the wooden bar and giving a lick and a promise to the glasses.
"And making sure customers don't kick ass too often," Charlie the bar-owner told him on his first day while Jim Reeves crooned on the juke that he got the blues when it rained. "As you saw yesterday, fights just flare up, they come outta nowhere like the weather. We need to nip bar brawls in the bud. Get 'em out in the street."
Sam thought High Falls main drag indeed meandered as if laid out by the bar's Saturday night punch-drunks. "Okay," he said. "I'll nipple the..." He stopped and reconsidered. "I'll sure...make sure the bar doesn't get scathed."
Charlie chewed this over. "Don't you mean unscathed?"
"No." Sam looked around the brown bar, not brown from any paint but from eons of exhaled fumes that stuck. He wondered how a bar fight could make the place look any worse than it already did.
Sam spent his first day serving customers: hard, weather-beaten, rough-looking ranch folk who came in to break the bovine monotony.
By five o'clock it was pretty quiet and he was ready to take a break. As he leaned against the grime-encrusted sink, he contemplated the branding irons on the walls and the bar stools that weren't-they were just old tractor seats or parts of saddles, or anything Charlie had managed to filch. The juke was roaring an assortment of distorted Jim Reeves, culminating in the Everly Brothers' Cathy's Clown which Sam had heard six times already.
He was pondering how he could improve the grass growth in Josh Pike's pastures while a small portion of his mind registered the conversation between Charlie and a prematurely grizzled thin man who had told Sam earlier he was Doctor Thomas Trillium, the High Falls veterinary.
"He just walked in, did he?" The doctor's voice was thin and reedy.
"Yep. Yesterday. Said he was looking for work."
"And you think he can protect your precious bar from your testosterone-fueled, feisty clientele? He looks like a gust of wind will blow him over."
"I tell you this, not only did he break up a fight in here yesterday but after being on the Pike Ranch for two days old Josh Pike says Sam's already pulled a breech calf from a cow. Josh says the boy's powerful right enough. He might not look it, but I guess he's the sinewy type."
"I take your word for it. You say he pulled a breech by himself and it survived? Then he's an odd-jobber par excellence you ask me. Wonder what else Josh Pike reckons an odd-jobber's position description entails -- castrating, branding and dehorning the calves, perhaps?"
Yes, Sam thought as he pondered a long-horn skull with three eye-holes hanging on the wall.
"Getting the bull ready? Spot-checking the heifers for breeding, vaccinating against brucellosis?"
Yes, yes and yes to that too. And that's before breakfast. Sam let the conversation wash over him as he gazed at a couple clinched in a lively dance by the jukebox, the girl's tight mini-skirt being stretched to its full potential. He heard the click and bounce of balls on the pool table and a gob of brown tobacco juice hitting the sawdust, but he only winged back in when the veterinary said, "Did you say his name's Sam? He's very vague, you know. Look at him daydreaming. Are you sure he's all there?"
Sam frowned because he didn't like that kind of talk. He'd only been sorting stuff out in his mind, deciding how best to improve the working facilities at the Pike Ranch and how he could build a proper working chute which would help the veterinary when he treated the cattle. He was about to tell him when the girl dancing in the mini-skirt began licking her partner's hairy ears and Sam yelped out a laugh instead.
"Welcome back, Sam," said Charlie, joining in Sam's laughter, although he couldn't have known what was so amusing.
The veterinary didn't crack a smile. He knocked back his fifth whiskey shot, heaved himself off his tractor seat and said to Charlie. "Just make sure he knows what he's up against when he meets Mule Palmer."
Sam paused in tossing a bag of chips at a customer who'd asked for it. "Wh...who?"
"Mule Palmer. You'll know him when you meet him, he's not the most beautiful sight in the world. But sleep safely in your bed for a while longer, young man, he's not here just now. Where is he, Charlie?"
"How the hell should I know? Annual vacation? Gone to buy a crock-pot? Having the aggression sucked out of him?"
"On a social visit with Satan more like. Well just make sure he," the veterinary nodded at Sam, "is prepared for him when he gets back."
Sam threw the two men a look which he hoped conveyed that if this Mule Palmer guy needed to be rendered a stain on the fabric, then he-Sam--was the man to do it.

Susan Roebuck
 Purchase Perfect Score at Awe-Struck Publishing.
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